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1994”N@ƒfƒUƒCƒ“‚ÌŒ»ê u“Œ‹žƒGƒfƒBƒgƒŠƒAƒ‹1994vi”üpo”ŎЁj8ŒŽ
1994”N@ƒfƒUƒCƒ“‚ÌŒ»ê uTokyo Visual Groove À’k‰ïvi”üpo”ŎЁj10ŒŽ
1994”N@HyperLib no.5 uTokyo Visual GrooveviƒAƒXƒL[j
1994”N@ƒRƒ}[ƒVƒƒƒ‹ƒtƒHƒguŽž‘ã‚̏uŠÔ”ü‚ðŽB‚é@•½ŠÔŽŠ×›•t‰ëMג†“‡‰pŽ÷viŒºŒõŽÐj
1994”N@GRAPHISuIllustration Today - Hideki Nakajima, Cut magazineviUSAj
1994”N@‚Ò‚ uTokyo Weekly ƒA[ƒgŠE‚É‚àa’JŒn‚ªoŒ»!?vi‚Ò‚ j
1994”N@ƒCƒ‰ƒXƒgƒŒ[ƒVƒ‡ƒ“ no.106uPoint of View@’†“‡‰pŽ÷viŒºŒõŽÐj

1996”N@ƒ_Eƒ”ƒBƒ“ƒ` u¡ŒŽ‚Ì‘•’š‘åÜ ’†”¨Ü - ƒnƒ`Œö‚̍Ōã‚Ì—ölviƒƒfƒBƒAƒtƒ@ƒNƒgƒŠ[j8ŒŽ
1996”N@ƒfƒUƒCƒ“‚ÌŒ»êuNaked New York‚ª‚Ƃ炦‚½ƒŠƒAƒ‹‚̐â‘Ή·“xvi”üpo”ŎЁj10ŒŽ
1996”N@GRAPHIS 306 uFocus - Hideki NakajimaviUSAj11ŒŽ

1997”N@WIRED JAPANucolumnviDDPƒfƒWƒ^ƒ‹ƒpƒuƒŠƒbƒVƒ“ƒOj 1ŒŽ
1997”N@FREAK OUT vol.17uLandscape and Flowers Talk Show ˆÉ“¡Œ\Ži׍‚‹´‹±Ži׋g“cG“¹×’†“‡‰pŽ÷v2ŒŽ
1997”N@IMAGAZINEuƒrƒWƒ…ƒAƒ‹ƒgƒŒƒ“ƒhl ’†“‡‰pŽ÷viƒAƒ}ƒij4ŒŽ
1997”N@ƒAƒCƒfƒAuHIDEKI NAKAJIMAvi½•¶“°VŒõŽÐj
1997”N@—¬s’ʐMuTrans-cultural TokyoviƒCƒ“ƒtƒ@ƒXj
1997”N@BLAD MAGAZINEuHideki NakajimaviNetherlnadj4ŒŽ
1997”N@“ú–{ŒoÏV•·uSaturday "X" Nikkei@•ÒW‚ÍŒ|p@ˆÙÊ•ú‚ÂADv7ŒŽ12“ú
1997”N@“úŒoƒfƒUƒCƒ“uProfile@’†“‡‰pŽ÷vi“úŒoBPŽÐj8ŒŽ
1997”N@ƒAƒCƒfƒAuŽÊ^‚ÌŒ»ÝE‰ß‹ŽE–¢—ˆ@Œã“¡”É—Y׊p“cƒˆêג†“‡‰pŽ÷vi½•¶“°VŒõŽÐj9ŒŽ
1997”N@ƒGƒ‹ƒWƒƒƒ|ƒ“uƒWƒƒƒ“ƒ‹‚ð‰¡’f‚µŠˆ–ô‚·‚éƒfƒUƒCƒ“ŠE‚̐V‚µ‚¢Ë”\viƒAƒVƒFƒbƒg•wl‰æ•ñŽÐj9ŒŽ
1997”N@dEpEiuDESIGN METHOD@’†“‡‰pŽ÷ - “Œ‹ž”­¢ŠE§”e‚ð‘_‚Á‚Ä‚év 10ŒŽ
1997”N@—¬s’ʐM uNew Edge of Fashon PhotographviƒCƒ“ƒtƒ@ƒXj
1997”N@ƒuƒ‹[ƒ^ƒX uƒ|ƒXƒg90s‚̃CƒmƒZƒ“ƒXAƒ}[ƒNEƒ{ƒXƒEƒBƒbƒN‚Ì–£—͂𒆓‡‰pŽ÷‚ª‰ð–Uviƒ}ƒKƒWƒ“ƒnƒEƒXj
1997”N@ƒjƒ…[ƒeƒLƒXƒg uƒfƒUƒCƒ“05@ƒOƒ‰ƒtƒBƒbƒN‚Ì–¢—ˆ‚ցviƒŠƒgƒ‹ƒ‚ƒA+ƒX[ƒp[ƒXƒN[ƒ‹j
1997”N@agost u“ú–{”­ƒX[ƒp[ƒNƒŠƒG[ƒ^[‚ÌŒ»Ý6@’†“‡‰pŽ÷viƒAƒSƒXƒgj

1998”N@ƒfƒUƒCƒ“‚ÌŒ»êuŽá‚«ƒtƒHƒgƒOƒ‰ƒtƒ@[‚ց@’†“‡‰pŽ÷‚̃Aƒhƒ”ƒ@ƒCƒXvi”üpo”ŎЁj6ŒŽ
1998”N@ƒ_ƒJ[ƒ|u3l‚Ì‹ÆŠEl‚ª’–Ú‚·‚é‚Ì‚Í‚±‚ÌŽGŽviƒ}ƒKƒWƒ“ƒnƒEƒXj6ŒŽ
1998”N@MONUMENT 25 uTOKYO GRAPHICSv

1999”N@L”á•]uPICK UP INTERVIEW@’†“‡‰pŽ÷viƒ}ƒhƒ‰o”Łj5ŒŽ
1999”N@ƒRƒ}[ƒVƒƒƒ‹ƒtƒHƒgu‘Î’k@NAKAג†“‡‰pŽ÷viŒºŒõŽÐj5ŒŽ
1999”N@Big Sublime #22iBig Magazine, USAj
1999”N@Design PlexuCREATER'S TALK@’†“‡‰pŽ÷viBNNVŽÐj7ŒŽ
1999”N@MdNu“Á•Ê‘Î’k@Šp“cƒˆêג†“‡‰pŽ÷viMdNƒR[ƒ|ƒŒ[ƒVƒ‡ƒ“j8ŒŽ
1999”N@ƒAƒCƒfƒAuSPECIAL FEATURE@’†“‡‰pŽ÷ - ”ü‚µ‚«—}ˆ³vi½•¶“°VŒõŽÐj9ŒŽ
1999”N@ƒuƒŒ[ƒ“uƒA[ƒgƒfƒBƒŒƒNƒ^[‚ÌŽdŽ–‚ƍì•i : 9@’†“‡‰pŽ÷vié“`‰ï‹cj10ŒŽ

2000”N@AXISuŽ†’Zî’·@’†“‡‰pŽ÷viƒAƒNƒVƒNj1ŒŽ
2000”N@Design PlexuVtƒ~ƒŒƒjƒAƒ€‘Î’k@Šâ•£‚Ü‚Ç‚©×’†“‡‰pŽ÷viBNNVŽÐj2ŒŽ
2000”N@L”á•]uŽÊ^‚ð‰z‚¦‚éƒgƒDƒ‹[ƒX‚ðviƒ}ƒhƒ‰o”Łj2ŒŽ
2000”N@Esquireuƒuƒƒhƒ”ƒBƒbƒ`‚́A–l‚Ì’†‚Å“Á•Ê‚È‘¶ÝviEsquire Magazine Japanj2ŒŽ
2000”N@ƒAƒCƒfƒAuDX2Kvi½•¶“°VŒõŽÐj5ŒŽ
2000”N@‚½‚Ä‘gƒˆƒR‘guDESIGNRE'S VIEW 4 ’†“‡‰pŽ÷viƒ‚ƒŠƒTƒj 5ŒŽ
2000”N@•ÒW‰ï‹cuƒGƒfƒBƒgƒŠƒAƒ‹ƒfƒUƒCƒ“Äl 4@’†“‡‰pŽ÷ - ƒA[ƒgƒfƒBƒŒƒNƒ^[‚Ì‹Zvié“`‰ï‹cj10ŒŽ

2001”N@DISIGNuMusicians Inspired by DesignersviSouth Koreaj8ŒŽ
2001”N@etapesuLIREviFrancej9ŒŽ
2001”N@DTP WORLDuƒIƒVƒSƒg”qŒ© 41 ’†“‡‰pŽ÷viƒ[ƒNƒXƒR[ƒ|ƒŒ[ƒVƒ‡ƒ“j11ŒŽ
2001”N@MdNuVIEW POINT 08 ’†“‡‰pŽ÷viMdNƒR[ƒ|ƒŒ[ƒVƒ‡ƒ“j12ŒŽ

2002”N@032cuWHAT'S NEXT?viGermanyj1ŒŽ
2002”N@ƒ~ƒXƒ^[EƒnƒCƒtƒ@ƒbƒVƒ‡ƒ“uISSEY MIYAKE BY NAOKI TAKIZAWA - Collaboratorsvi•¶‰»o”ŋǁj2ŒŽ
2002”N@CREATIVE REVIEWuTHE MASTERviUKj5ŒŽ
2002”N@SWITCHuBOOK ADDICTS —eŽp’[—í‚ȏ‘•¨‚½‚¿ 07 ’†“‡‰pŽ÷viƒXƒCƒbƒ`ƒpƒuƒŠƒbƒVƒ“ƒOj6ŒŽ
2002”N@ƒqƒbƒeƒBudreamway.com Talk ˆÉ’O«×’†“‡‰pŽ÷viƒƒfƒBƒAƒvƒƒ_ƒNƒVƒ‡ƒ“j6ŒŽ
2002”N@ADVERTISINGi“d’ʁj7ŒŽ
2002”N@Phat PhotouCREATOR'S FILE 05@’†“‡‰pŽ÷vi‚Ò‚ j9ŒŽ
2002”N@ƒAƒCƒfƒAuSPECIAL FEATURE - Hideki Nakajimavi½•¶“°VŒõŽÐj11ŒŽ
2002”N@WcLockuƒfƒUƒCƒ“‚Ì‚½‚߂̃fƒUƒCƒ“viŒõ—zŽÐj12ŒŽ
2002”N@LIGHTERuSPECIAL FEATUREviChina)12ŒŽ

2003”N@CurrencyudesignviNetherlandj2ŒŽ
2003”N@GRAPHIS 344uFocus - Hideki NakajimaviUSAj3ŒŽ
2003”N@ƒ_Eƒ”ƒBƒ“ƒ`u¡ŒŽ‚Ì‚±‚Ì–{‚ɂЂƂߍ›‚ê - ƒAƒ‹ƒ[ƒ“ƒ`ƒ“ƒoƒoƒAviƒƒfƒBƒAƒtƒ@ƒNƒgƒŠ[j3ŒŽ
2003”N@Graphic Design for the 21st CenturyiTASCHENj5ŒŽ
2003”N@ƒuƒŒ[ƒ“u”üpŠÙEƒMƒƒƒ‰ƒŠ[‚ª”­M‚·‚éƒOƒ‰ƒtƒBƒbƒNƒ[ƒNvié“`‰ï‹cj6ŒŽ
2003”N@ƒOƒ‰ƒf[ƒVƒ‡ƒ“ ƒfƒUƒCƒ“iƒsƒGƒuƒbƒNƒXj8ŒŽ
2003”N@IDEAS UNBOUND -unique ideas uniquely expressed-iƒsƒGƒuƒbƒNƒXj9ŒŽ
2003”N@•¶Žš‚ÍŒê‚éuƒSƒVƒbƒN‘Ì‚ð’m‚é - ƒvƒ‚Ì‚±‚¾‚í‚菑Ð•Òviƒ‚ƒŠƒTƒj9ŒŽ
2003”N@information SHINOHARA vol.35u“Á•ÊŠñe@ƒNƒŠƒGƒCƒ^[‚Ì—§ê‚©‚çviŽÂŒ´¤Ž–j9ŒŽ
2003”N@DTP WORLD•Êû@BOOK DESIGNuŒÜŠ´AGŠ´‚ðŽhŒƒ‚·‚é–{!-ƒtƒƒtƒviƒ[ƒNƒXƒR[ƒ|ƒŒ[ƒVƒ‡ƒ“j9ŒŽ
2003”N@“ú–{ŒoÏV•· “Ǐ‘—“ uŠˆŽš‚ÌŠC‚Å - ‘•’š‚Ì–ðŠ„–â‚¢’¼‚·v10ŒŽ5“ú
2003”N@areau100 graphic desingers 010 curators 010 design classicsviPHAIDONj 10ŒŽ
2003”N@100 Habits of Successful Graphic DesignersiRockport, USAj12ŒŽ

2004”N@Japanese Graphics Now!iTASCHENj1ŒŽ
2004”N@Radical Album Cover Art Sampler 3iLaurence Kingj1ŒŽ
2004”N@+81 PLUS EIGHTY ONE VOL.24iD.D WAVEj5ŒŽ
2004”N@ƒ_Eƒ”ƒBƒ“ƒ`u¡ŒŽ‚Ì‚±‚Ì–{‚ɂЂƂߍ›‚ê - ŠC‚Ì‚Ó‚½viƒƒfƒBƒAƒtƒ@ƒNƒgƒŠ[j6ŒŽ
2004”N@TOKION No.43iƒgƒLƒIƒ“ƒWƒƒƒpƒ“j9ŒŽ
2004”N@–{ -“Ǐ‘l‚ÌŽGŽ-iu’kŽÐj11ŒŽ
2004”N@FROMiFROM Design Magazine,Swedenj10ŒŽ
2004”N@ALL ACCESS@-THE MAKING OF THIRTY EXTRAORDINARY GRAPHIC DESIGNERSiROCK PORT,USAj 11ŒŽ
2004”N@Radical Album Cover Art Sampler3iLaurence King Publishing,UKj11ŒŽ
2004”N@032c iBerlin,Germanyj11ŒŽ
2004”N@graphic JAPANiRotoVisionj12ŒŽ

2005”N@ƒfƒUƒCƒ“ƒm[ƒgiSEIBUNDOj4ŒŽ
2005”N@TIMEuFashion&DesignviNYj4ŒŽ
2005”N@ƒAƒCƒfƒA No.310 i½•¶“°VŒõŽÐj5ŒŽ
2005”N@MANIFESTI D'ARTISTA 1955-2005 iIDEARTj10ŒŽ
2005”N@ŒŽŠ§ Œ¾Œêi‘åCŠÙ‘“Xj10ŒŽ
2005”N@DISK PACKAGE DESIGNiãĉjŽÐj11ŒŽ
2005”N@DTP WORLD12ŒŽ†iƒ[ƒNƒXƒR[ƒ|ƒŒ[ƒVƒ‡ƒ“j11ŒŽ
2005”N@ƒ\ƒgƒRƒg1ŒŽ†@â–{—´ˆêƒƒnƒXƒfƒUƒCƒ“˜_‚Ì15ƒe[ƒ}‚Ì1li–ØŠyŽÉj12ŒŽ

2006”N@ƒfƒUƒCƒ“‚ÌŒ»ê u“ÁWƒuƒbƒNƒKƒCƒh300vi”üpo”ŎЁj2ŒŽ
2006”N@uAll Men Are Brothers - Designer's version-vihesignj3ŒŽ
2006”N@Hugeiu’kŽÐj3ŒŽ
2006”N@PHAT PHOTOiCMSj3ŒŽ
2006”N@soDA magazine#28@4ŒŽ
2006”N@DAZED & CONFUSED JAPAN#47iƒJƒGƒ‹ƒ€j4ŒŽ
2006”N@NO MUSIC, NO LIFE. AD COLLECTIVE TOWER RECORDSiƒ}ƒKƒWƒ“ƒnƒEƒXj4ŒŽ
2006”N@ARENA KOREA@4ŒŽ
2006”N@ƒGƒLƒVƒrƒWƒ‡ƒ“ ƒtƒ‰ƒCƒ„[ ƒRƒŒƒNƒVƒ‡ƒ“iƒsƒGƒuƒbƒNƒXj4ŒŽ
2006”N@ƒuƒŒ[ƒ“ ié“`‰ï‹cj5ŒŽ
2006”N@ƒfƒUƒCƒ“ƒm[ƒg i½•¶“°j7ŒŽ
2006”N@ƒuƒŒ[ƒ“ ié“`‰ï‹cj7ŒŽ
2006”N@ƒvƒ“ƒNƒgƒDƒ€ƒ^ƒCƒ€ƒY 7ŒŽ
2006”N@Design wDesign ArchivesxiãĉjŽÐj7ŒŽ
2006”N@VOGUE girl iŠØ‘j8ŒŽ
2006”N@etapesiPyramyd, Francej 9ŒŽ
2006”N@D la Repubblica delle Donneila Repubblica, Italyj 9ŒŽ
2006”N@Esquire“ú–{”ŁwŽGŽ’Ê‚ª‘I‚Ԑ¢ŠE‚ÌŽGŽ110û!xiƒGƒXƒNƒ@ƒCƒAƒ}ƒKƒWƒ“ƒWƒƒƒpƒ“j11ŒŽ
2006”N@DTP WORLDw•¶Žš‚ÍŒê‚é2xiƒ[ƒNƒXƒR[ƒ|ƒŒ[ƒVƒ‡ƒ“j11ŒŽ
2006”N@ŽGŽ‚ðƒfƒUƒCƒ“‚·‚él‚ÆŒ»ê‚ƃZƒ“ƒX‚̔閧iƒsƒGƒuƒbƒNƒXj11ŒŽ
2006”N@ƒRƒ}[ƒVƒƒƒ‹ƒtƒHƒgwClick! 2006 DECEMBERxiŒºŒõŽÐj12ŒŽ
2006”N@STUDIO VOICEwAD Publisher's Choicex12ŒŽ
2006”N@MAGICAL MAG iƒtƒŠ[ƒ_ƒ€j12ŒŽ
2006”N@dictionary 113 iƒNƒ‰ƒuƒLƒ“ƒOj12ŒŽ

2007”N@MAC POWERwLONG INTERVIEWxiƒAƒXƒL[j1ŒŽ
2007”N@ƒuƒŒ[ƒ“ié“`‰ï‹cj1ŒŽ
2007”N@Lips vol.8iƒ^ƒCj1ŒŽ
2007”N@ƒAƒCƒfƒA320wSpecial Featurexi½•¶“°VŒõŽÐj1ŒŽ
2007”N@Special Print EffectsiAll Right Reserved, Chinaj 1ŒŽ
2007”N@ƒfƒUƒCƒ“ƒm[ƒg w‰¹Šy‚ƃfƒUƒCƒ“xi½•¶“°VŒõŽÐj2ŒŽ
2007”N@DTP WORLD w–{‚Ƃ̉ï˜bxiƒ[ƒNƒXƒR[ƒ|ƒŒ[ƒVƒ‡ƒ“j2ŒŽ
2007”N@dictionary 114 iƒNƒ‰ƒuƒLƒ“ƒOj2ŒŽ
2007”N@MdNƒfƒUƒCƒi[ƒYƒtƒ@ƒCƒ‹2007wƒOƒ‰ƒtƒBƒbƒNƒfƒUƒCƒ“‚̍¡‚ð’m‚éxiMdNƒR[ƒ|ƒŒ[ƒVƒ‡ƒ“j2ŒŽ
2007”N@+81 PLUS EIGHTY ONE VOL.35iD.D WAVEj2ŒŽ
2007”N@Dla Repubblica delle Donne CASAila Repubblica, Italyj 2ŒŽ
2007”N@PenwƒƒbƒN‚̃fƒUƒCƒ“xiã‹}ƒRƒ~ƒ…ƒjƒP[ƒVƒ‡ƒ“ƒYj3ŒŽ
2007”N@DTP WORLD wˆóüƒ\ƒ€ƒŠƒGxiƒ[ƒNƒXƒR[ƒ|ƒŒ[ƒVƒ‡ƒ“j3ŒŽ
2007”N@d.p.iidpi magazinej3ŒŽ
2007”N@PenwƒAƒ“ƒŠƒJƒ‹ƒeƒBƒGEƒuƒŒƒbƒ\ƒ“xiã‹}ƒRƒ~ƒ…ƒjƒP[ƒVƒ‡ƒ“j6ŒŽ

2007”N@AGI TO KYO TOiAGIj9ŒŽ
2007”N@STUDIO VOICEiINFAS PUBLICATIONj9ŒŽ
2007”N@CONTENPORARY ART GRAPHIC DESIGNiTaschenj10ŒŽ
2007”N@LOG A LOTiBNNj12ŒŽ

2008”N@AGI Graphic Design Since 1950iThames & Hudsonj1ŒŽ
2008”N@OjOi“Ç”„ADƒŠƒ|[ƒgj1ŒŽ
2008”N@ƒfƒUƒCƒ“ƒm[ƒgi½•¶“°VŒõŽÐj1ŒŽ
2008”N@Esquire“ú–{Œê”ŁiƒGƒXƒNƒAƒCƒAƒ}ƒKƒWƒ“ƒWƒƒƒpƒ“j2ŒŽ
2008”N@ˆäãŽk–ç ì•iW1981-2007iŠñejiƒŠƒgƒ‹ƒ‚ƒAj2ŒŽ

2008”N@ƒfƒUƒCƒ“ƒm[ƒgi½•¶“°VŒõŽÐj2ŒŽ
2008”N@ŽÀ˜bƒ}ƒbƒhƒ}ƒbƒNƒXiƒRƒAƒ}ƒKƒWƒ“j4ŒŽ
2008”N@ƒfƒUƒCƒ“ƒm[ƒgi½•¶“°VŒõŽÐj6ŒŽ

2008”N@STUDIO VOICEiINFAS PUBLICATIONj7ŒŽ
2008”N@+81 PLUS EIGHTY ONE VOL.41iD.D WAVEj8ŒŽ
2008”N@dictionary no.124iCLUB KINGj10ŒŽ

 

2009”N@•¶ŽšuÀi½•¶“°VŒõŽÐj1ŒŽ

2009”N@ƒfƒUƒCƒ“ƒm[ƒgi½•¶“°VŒõŽÐj2ŒŽ

2009”N@TOKYO VISUALISTiD.D WAVEj10ŒŽ

2009”N@ƒA[ƒgƒfƒBƒŒƒNƒVƒ‡ƒ“‚̉©‹à”äi½•¶“°VŒõŽÐj8ŒŽ

 

2010”N@ƒfƒUƒCƒ“Ž–“Ti–ˆ“úƒRƒ~ƒjƒ…ƒP[ƒVƒ‡ƒ“ƒYj

 

2011”N@ƒfƒUƒCƒ“ƒm[ƒgi½•¶“°VŒõŽÐj6ŒŽ

 

2012”N@‹GŠ§ƒr[ƒgƒTƒEƒ“ƒhiƒXƒeƒŒƒIƒTƒEƒ“ƒhj5ŒŽ

2012”N@CUTiƒƒbƒLƒ“ƒOEƒIƒ“j6ŒŽ

2012”N@ƒRƒ}[ƒVƒƒƒ‹ƒtƒHƒgiŒºŒõŽÐj7ŒŽ

2012”N@+81 PLUS EIGHTY ONE VOL.56iD.D WAVEj8ŒŽ

2012”N@CUTiƒƒbƒLƒ“ƒOEƒIƒ“j8ŒŽ


 

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1997”N@Cut No.61 TOMATOג†“‡‰pŽ÷i‘Î’kj1ŒŽ

1998”N@Cut No.68 ƒŠƒ`ƒƒ[ƒhEƒvƒŠƒ“ƒXiƒCƒ“ƒ^ƒrƒ…[j3ŒŽ
1998”N@L”á•] No.216 ƒTƒCƒgƒEƒ}ƒRƒgג†“‡GŽ÷i‘Î’kj5ŒŽ

1999”N@â–{—´ˆê׌㓡”É—Yג|ˆä³˜aג†“‡‰pŽ÷iƒg[ƒNƒVƒ‡[juƒŠƒgƒ‹Eƒ‚ƒA10Žü”Nƒƒ‚ƒŠƒAƒ‹Eƒg[ƒNƒVƒ‡[viVh“ìŒûE‹IˆÉš ‰®ƒTƒUƒ“ƒVƒAƒ^[j8ŒŽ15“ú

2002”N@ƒXƒeƒtƒ@ƒ“¥ƒTƒOƒ}ƒCƒXƒ^[ג†“‡‰pŽ÷iƒg[ƒNƒVƒ‡[jƒfƒUƒCƒ“ƒtƒH[ƒ‰ƒ€ u02 TDC DAYvi“Œ‹ž“sŒ»‘ã”üpŠÙB2Fu“°j4ŒŽ7“ú@
2002”N@’‡žŠ³‹`׊‹¼ŒOוž•”ˆê¬×ìŒû´Ÿ×ƒ^ƒiƒJƒmƒŠƒ†ƒLג†“‡‰pŽ÷i‘Î’kjuADC50Žü”N‹L”O ADC‘åŠwEƒg[ƒNƒZƒbƒVƒ‡ƒ“v(ƒŠƒNƒ‹[ƒgGINZA8) 9ŒŽ
2002”N@‚悵‚à‚Ƃ΂ȂÈג†“‡‰pŽ÷uUnfinishedŽ–Ê‘Î’kv11ŒŽ
2002”N@â–{—´ˆêג†“‡‰pŽ÷i‘Î’kj‚½‚Ü‚²ƒNƒ‰ƒu ‚Ђ悱ƒNƒ‰ƒu11ŒŽ†

2003”N@Cut No.144 ‚悵‚à‚Ƃ΂ȂÈדޗǔü’qג†“‡‰pŽ÷i‘Î’kj1ŒŽ
2003”N@ƒs[ƒ^[EƒTƒ”ƒBƒ‹×’†“‡‰pŽ÷iƒg[ƒNƒVƒ‡[juƒs[ƒ^[EƒTƒ”ƒBƒ‹“Wviƒ‰ƒtƒH[ƒŒ@ƒ~ƒ…[ƒWƒAƒ€@Œ´hj10ŒŽ25“ú

2004”N@uCREATIVITY NOW TOKYOvˆäŒûOŽj׍²–쌤“ñ˜Yזì“c“âג†“‡‰pŽ÷iƒg[ƒNƒVƒ‡ƒEjiƒ‰ƒtƒH[ƒŒƒ~ƒ…[ƒWƒAƒ€Œ´hj11ŒŽ

2005”N@u‚Ó‚­‚¢ƒfƒUƒCƒ“ƒtƒFƒA2005vƒI[ƒvƒ“‹L”OƒZƒ~ƒi[iƒZƒ~ƒi[ji•Ÿˆä‚Ü‚¿‚È‚©•¶‰»Ž{Ýj9ŒŽ28“ú

2006”N@TDCƒŒƒNƒ`ƒƒ[@µ‘ҐR¸ˆõ@ƒWƒ‡ƒ“Eƒ[ƒEƒBƒbƒJ[AƒAƒŒƒNƒTƒ“ƒ_[EƒQƒ‹ƒ}ƒ“Aƒxƒj[EƒAƒE@TDC‰ïˆõ@ó—tŽŒÈ@ˆÉ¨Ž–ç@‰œ‘ºèԐ³@–kìˆê¬@²“¡‰ÂŽm˜a@²–쌤“ñ˜Y@àV“c‘לA@àF’JŽ•F@ƒ^ƒiƒJƒmƒŠƒ†ƒL@’†“‡‰pŽ÷@¼–{Œ·l@²“¡‘ì@ŽQ‰Á@i“Œ‹žƒfƒUƒCƒ“ƒZƒ“ƒ^[ƒKƒŒƒŠƒAƒz[ƒ‹B2Fj10ŒŽ23“ú
2006”N@`çqג†“‡‰pŽ÷i‘Î’kjuIn-betweenŽÊ^W”­”„‹L”OviÂŽRƒuƒbƒNƒZƒ“ƒ^[j11ŒŽ19“ú
2006”N@•½ŠÔŽŠ×ƒzƒ“ƒ}ƒ^ƒJƒVבë–{Š²–çג†“‡‰pŽ÷iƒg[ƒNƒVƒ‡[juLƒTƒ~ƒbƒg2005viƒ‰ƒtƒH[ƒŒƒ~ƒ…[ƒWƒAƒ€Œ´hj12ŒŽ3“ú
2006”N@ué“`‰ï‹cƒA[ƒgƒfƒBƒŒƒNƒ^[—{¬uÀviƒg[ƒNƒVƒ‡ƒEji•Ÿ‰ªŽs“àŽ{Ýj2ŒŽ4“ú
2006”N@uƒfƒUƒCƒ“‚ÌŠvV@ƒOƒ‰ƒMƒbƒN•\Œ»‚̉”\«‚ƃfƒWƒ^ƒ‹ƒ[ƒNƒtƒ[viƒg[ƒNƒVƒ‡ƒEjiƒzƒeƒ‹ƒtƒ‰ƒVƒIƒ“ÂŽRj2ŒŽ22“ú
2006”N@NON-FORMATiƒŒƒNƒ`ƒƒ[jAŒã“¡”É—Yג†“‡‰pŽ÷AƒŒƒXEƒ\ƒ“בc•ƒ]TA’‡žŠ³‹`וž•”ˆê¬iƒg[ƒNƒVƒ‡ƒEjuTDC DAYSvi“Œ‹ž—Žq”üp‘åŠwj4ŒŽ2“ú
2006”N@u06TDC“Wv‘å“ú–{ƒ^ƒCƒ|‘g‡×’†“‡‰pŽ÷iƒg[ƒNƒVƒ‡[jidddƒMƒƒƒ‰ƒŠ[j5ŒŽ29“ú
2006”N@™”ü•PuSexvŠ§s‹L”O @™”ü•Pג†“‡‰pŽ÷iƒg[ƒNƒVƒ‡[jiÂŽRƒuƒbƒNƒZƒ“ƒ^[˜Z–{–Ø“Xj6ŒŽ9“ú
2006”N@uCLEAR in the FOGvŒã“¡”É—Yג†“‡‰pŽ÷iƒŒƒNƒ`ƒƒ[jigggj11ŒŽ10“ú
2006”N@uTYPE GRAPHICSviƒŒƒNƒ`ƒƒ[j“Œ—m”üpŠwZ 11ŒŽ19ŒŽ
2006”N@uCLEAR in the FOGvŒã“¡”É—Yג†“‡‰pŽ÷iƒg[ƒNƒVƒ‡[j ‹ž“s‘¢Œ`‘åŠw 12ŒŽ
2006”N@uCLEAR in the FOGvŒã“¡”É—Yג†“‡‰pŽ÷iƒg[ƒNƒVƒ‡[j Art Zonei‹ž“sj 12ŒŽ

2008”N@uInfinite Libraries & Re-CitFvŒã“¡”É—Yג†“‡‰pŽ÷iƒg[ƒNƒVƒ‡[jG/P galleryi“Œ‹žj 9ŒŽ
2008”N@u•ê—ö ƒnƒnEƒ‰ƒuv“a‘º”C×’†“‡‰pŽ÷iƒg[ƒNƒVƒ‡[jG/P galleryi“Œ‹žj 10ŒŽ

2009”N@u’†“‡Ë•¶ l‚¦‚éƒfƒUƒCƒ““Wv’†“‡Ë•¶×Š‹¼ŒO×àV“cNœAג†“‡‰pŽ÷iƒg[ƒNƒVƒ‡[j‘½–€”üp‘åŠw 9ŒŽ
2009”N@uTOKYO GRAPHIC PASSPORT@International Magazine ConferenceviƒJƒ“ƒtƒ@ƒŒƒ“ƒXji‹ã’i‰ïŠÙj10ŒŽ

2012”N@uw’†“‡‰pŽ÷ 1992-2012xŠ§s‹L”O “Á•Ê‘Î’k@´…õ~’†“‡‰pŽ÷vi‘Î’kjƒXƒ^ƒ“ƒ_[ƒhƒuƒbƒNƒXƒgƒA SÖ‹´“Xi‘åãj6ŒŽ
2012”N@u‹{’Ñå•ã~’†“‡‰pŽ÷wƒA[ƒgì•i‚ÆŽ„xvi‘Î’kjƒ‹[ƒ”ƒ‹]DNPƒ~ƒ…[ƒWƒAƒ€ƒ‰ƒ{i“Œ‹žj6ŒŽ
2012”N@u‘æ10‰ñ¢ŠEƒ|ƒXƒ^[ƒgƒŠƒGƒ“ƒi[ƒŒƒgƒ„ƒ}2012 ’†“‡‰pŽ÷u‰‰‰ïviu‰‰‰ïj•xŽRŒ§—§‹ß‘ã”üpŠÙi•xŽRj6ŒŽ



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2001”N@u×D_2ƒ[ƒNƒVƒ‡ƒbƒvviŠØ‘ƒzƒ“ƒCƒbƒN‘åŠwj
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Paris Pompidou Museumiƒtƒ‰ƒ“ƒXj
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Le Musée des Arts Décoratifs, Parisiƒtƒ‰ƒ“ƒXj
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